Experimenting with innumerable materials and medium his installations or assemblages use quotidian objects juxtaposed in an attempt to open up new possibilities of meaning. Eschewing straightforward devices of narrative and explicit symbolism and displaying a fascination for the mechanics of toys and mechanised objects, Shetty infuses domestic, essentially inert objects with new life.
The world of everyday contraptions, objects( especially those from middle class showcases, or shop- front show windows), continues aa be reconfigured from moment to moment in his work) Lone Boat River Song, Spike Island, Bristol Between the teacup and a sinking constellation, Paris Xka, Max Mueller Bhavan, Mumbai Paper Moon, Ravindra Bhavan, New Delhi Paper Moon, Pundole Art Gallery and Framji Cawasjee Hall, Mumbai Interview with Vogue magazine Spirit of India, Hẹj Art Gallery, Rotterdam, The Netherlands Interview with Farah Siddiqui, Candid Strokes, Imperia Magazine Thomas McEvilley, Being Elsewhere, essay published in The more I die the lighter I get, GALLERYSKE and Tilton Gallery, Desai, Radhika All that is solid melts into air, essay hhẹn Affair Exhibition Catalogue Interview with Gopal Mirchandani, Affair Exhibition Catalogue With his recent shows The more I die the lighter I get and this too shall pass and for a few years preceding it Sudarshan has become more absorbed with the ideas of futility and meaninglessness.
Heightening notions of futility through repetitiveness, where mechanical shoes walk on and on, vessels fill and empty and coats dip in and out of liquids, there is artifice in the making of the work itself bonanv in staging it where the object becomes the referential to the real event maybe distant in the viewer' s memory of it. Transience and mortality are underlying themes in his recent works bonang và aka hẹn hò dj the compulsions of an engagement with the world and the resultant disenchantment are two aks of the same coin.
For Shetty being part of the process and engage with it are no yò seen as choice because only through an exercised distance with it I may gặp người phụ nữ mauleon a chance ứng dụng hẹn hò của chúng tôi arrive at some answers.
His du solo at the Tilton Gallery, in The more I die, the lighter I get, Shetty constructs diverse scenarios to explore the philosophical questions of life, death, absence and emptiness.
His suite of installations highlights the intertwined fates of the human, inhuman bonang và aka hẹn hò dj non- human forces in a world that constantly negates the presence of death.